Friday, March 11, 2011

Hat Mukus Eine Auswirkung Auf Ein Fetus

Grit






(recensione ignorante)

Action is located at the border between Arkansas [ 1] and the Indian Country [ 2] at the beginning of '900. The fourteen year-old Hailee Steinfeld
[ 3] plays the same age as Mattie Ross, the daughter of a cattleman murdered and robbed by one of his cowboys to Fort Smith [ 4] in an attempt to prevent a massacre at the saloon after a game to retort cards ... arrival, the accommodation of business and legal affairs, the plan for justice.
Reuben J. "Rooster" Cogburn is a character that stands out in the twilight era of the legendary West , which already have intrusive new law and the codes of duelists, gli avvocati : lui stesso, sceriffo federale dalle maniere spicce, appare per la prima volta allo spettatore (e alla ragazzina) sul banco degli imputati per eccesso di violenza ai danni di alcuni criminali ... e lungo lo scorrere della pellicola, più volte Mattie cita il Codice a mo' di arma (e rischierà la vita, per questa audace puntigliosità).
Detto “ Il Grinta ” ( true grit = grinta vera, nell'originale inglese) è un caratteraccio dedito al whiskey e spietato nell'affrontare gentaglia simile a lui, che s'è lasciato alle spalle una moglie e un figlio imbranato, e finirà l'esistenza come “fenomeno da baraccone” for a traveling circus on the theme of the old Wild West ... creperie and reunited a few days before his client (25 years later). Yesterday
sheriffs and rangers in search of a wanted-dead-or live with the colt in hand [ 5] and size of the fee printed on the public ... now hunting for lawyers to plead cases and defendants to bet on the rules of law, suggesting a transfer of 'ethos from a dress to another, in an environment that is transformed by man in the strong ethical Presbyterian: these are the true roots of America, which continue to sprout in the present time without interruption.
stone face without tears of emotion: Do not weep Mattie learning the death of old friend, and even on his grave (it will place the coffin in the cemetery of the family).
Men and women who meet the time line, quite randomly, and randomly disperse ... regrets are prohibited, and emotions are detained under the skin are evident as veiled by a tough demeanor and narrow mouths who do not like talking too much, like the lace lines of comments in the margins that a careful reader must understand and know how to interpret (see regret - decent and mature - not to have met the most handsome Texas Ranger - starring Matt Damon - just mentioned in the intonation of the narrator-protagonist of the facts than a quarter of a century later). Start with a coffin
to be sent home (his father) and ends with a coffin translocated (that of Grit).
The revenge is worth his left arm, amputatole to stop the infection of the deadly poison.
This is life.

2

OH. This
is not a remake of the 1969 film [6 ] starring John Wayne and Katharine Hepburn, but another adaptation of the novel "True Grit."
Like Tarantino, the brothers Joel and Ethan Coen seem to have lost the particular mood between drama - comic grotesque - pulp ... perhaps aided by a transposition is too faithful to the original literature (which I have not read) [ 7 , 8] written by Charles Portis [9 , 10], perhaps the production of Steven Spielberg has cut the signature page ... Perhaps they too are getting older ... perhaps the western genre is like an old whore abused and needs to offer something for free and especially eccentric interpretations.
Maybe a little of everything '.
cloying way beyond the linguistic form of the protagonist: the nineteenth century ... and oh well that this was the time of the events narrated, but we live in 2011.
The timing of the film narration are too broken ... syncopated ... as if we were in the theater. What
texas ranger La-Boeuf (pronounced always "The beef "to mo 'of taking the piss) should be one of the leading roles, but it seems nothing more than a speck out books by Bonelli.
The borderline (the doctor dressed in a bearskin encountered in the forest, one of the gang of bandits "Lucky" Ned Pepper who continually mocks animal) seem to fuck implanted in the context, just to make a stylistic this time is false.
mother Scene: the interrogation of the two thugs in the shelter, where the oldest cruelly cut your fingers to the youngest, to shut him up, and then plant the knife in my chest ... Cogburn does not think for a moment and shot him point-blank in the face ... then the agony of the young.
Crudo west ... ma è passeggero.
Cfr. la scena della taverna [ 11 ] nell'ultimo di Quentin Tarantino : e subito si torna alla noia, all'indifferenza verso l'ennesimo prodotto deludente di autori del nuovo cinema americano che spesso ci hanno stupito, ma che non sono più capaci di farlo, ed aggiungo a questa compagnia Jim Jarmusch ...
Peraltro autore di uno dei pochi bei western prodotti negli ultimi 30 anni : “Dead man” (1995) [ 12 ] con Johnny Depp.
E' idiota il rifare il western classico, solo Clint Eastwood c'è riuscito con “Gli spietati” (1992) [ 13 ] ... gli autori più giovani devono osare, ed invece ... non bastano un monumentale Jeff Bridges capace di saturare la sensibilità del pubblico ogni volta che viene inquadrato in primo piano, più una bravissima esordiente 14enne (si vede la stoffa della fuoriclasse) a ribaltare un giudizio di aurea mediocrità e sostanziale insoddisfazione.

...

(che i fratelli Coen si godano la pensione : credo che il momento sia arrivato anche per loro).

3

Visto la sera di giovedì 10 marzo, al “Medica Palace” [ 14 ] di via Montegrappa n. 9 a Bologna (eccellente cinema-teatro con le poltroncine in pelle) assieme all'amico Enrico Cavallo.
Grazie.

Link

The Grit (film 2010) = card wikipedia.org

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